Human Kindness and the Whiff of Hemlock?
Human Kindness and the Stench of the Decaying Res Extensa?
Human Kindness and the Funk of a Philosopher's Fart?
Although Spengler's work was highly controversial in his homeland, British commentators tended to depict it representing something typically German. On this basis, in a radio broadcast titled »Spengler–A Philosopher of World History« (reprinted in the Listener in 1929), popular philosopher C.E.M. Joad sought to explain national differences related to Spengler's reception: »The Germans have an appetite for ideas which rivals, if it does not exceed, the English appetite for emotions«*. Referring to then-popular authors of romance novels and histories, he observed: »While the Englishman is enjoying a feast of passion at the luscious boards of Miss Dell or Miss Hull, the German refreshes himself with draughts of pure thought from the fountain-head of some abstruse philosopher«**. Spengler's sentences, he continued, »seem to be the necessary accompaniments of German philosophy in the grand manner: Kant, Hegel, Schopenhauer, Nietzsche, all wrote them and worse; they sound the authentic German note«. [166-67]Note: If I've been successful in achieving the aim I set out with, you don't even have to know a lot about Spengler to enjoy the article.
And then there was Pif le chien, a comic book published by Editions Vaillant and sponsored by the Communist Party. I realize now when I reread it that there was a Communist bent to many of Pif’s adventures. For example, a prehistoric man would bring down the local sorcerer in single combat and explain to the tribe that they didn’t need a sorcerer and that there was no need to fear thunder. The series was very innovative and of exceptional quality. I read Baudelaire oddly early, when I was about thirteen, but Pascal was the shock of my life. I was fifteen. I was on a class trip to Germany, my first trip abroad, and strangely I had brought the Pensées of Pascal. I was terrified by this passage: “Imagine a number of men in chains, all under sentence of death, some of whom are each day butchered in the sight of the others; those remaining see their own condition in that of their fellows, and looking at each other with grief and despair await their turn. This is an image of the human condition.” I think it affected me so deeply because I was raised by my grandparents. Suddenly I realized that they were going to die and probably soon. That’s when I discovered death.
The biggest consequence of The Elementary Particles, apart from the money and not having to work, is that I have become known internationally. I’ve stopped being a tourist, for example, because my book tours have satisfied any desire I might have to travel. And as a result there are countries I have visited that you wouldn’t ordinarily go to, like Germany.
INTERVIEWER
Why do you say that?
HOUELLEBECQ
Nobody does tourism in Germany. It doesn’t exist. But they’re wrong not to. It’s not so bad.
INTERVIEWERIn your preface to The Possibility of an Island, you mentioned a journalist who inspired the idea for the novel. Can you explain?HOUELLEBECQIt was a pretty strange moment. I was in Berlin at a café on a lake, waiting to be interviewed. It was very quiet. It was ten o’clock in the morning. There was no one around. And this German journalist arrives and, it was very curious, she wasn’t behaving normally. She didn’t have a tape recorder and she wasn’t taking notes. And she said, “I had a dream that you were in a phone booth after the end of the world and you were speaking to all of humanity but without knowing whether anyone was listening.” It was like being in a zombie film.
Never has psychological suffering been more intense: solitude, use of mind-altering drugs, boredom, fatigue, dieting, obesity, the medicalisation of every second of existence . . . As for social suffering . . . it seems to be constantly on the rise, against a background of youth unemployment and tragic factory closings.
Set free from the shackles of morality, sex is experienced not as the correlate of desire, but as performance, as gymnastics, as hygiene for the organs . . . How does one climax, and bring one’s partner to climax? What is the ideal size of the vagina, the correct length of the penis? How often? How many partners in a lifetime, in a week, in a single day, minute by minute? . . . It would seem impossible not to detect, in this curious psychologisation of existence . . . that is contributing to the rise of depoliticisation, the most insidious expression of what Michel Foucault and Gilles Deleuze called ‘little everyday fascism’.
A peculiar claim: how can Roudinesco possibly know whether more psychological and social suffering is caused by obesity, youth unemployment, factory closures and – one rather admires the leap – the hygienisation of sex, than, say, by the bubonic plague, the Spanish Inquisition or the slave trade? And haven’t any of our gains offset our losses? Thanks to hygienisation, sex has become less spontaneous . . . but we don’t all have syphilis.
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‘Health fascism’, which appears in the OED, does of course have an empirical reality. It’s not great to be told that one should quit smoking, cut down on coffee, go to the gym more often and regularly submit to screenings for various cancers. Nobody likes to sit on a metal table, wearing a paper ‘gown’, awaiting the arrival of a doctor who is increasingly likely to be younger than oneself. But who is the fascist here: the medical institution or the human body? What can doctors do if our bodies crave things which are harmful to us?
Roudinesco seems to be describing not a topical crisis but a matter of ‘human nature’ in the longue durée. It’s true that Flaubert, whom some Marxists consider to be a Marxist visionary, did his share of railing against modern times; his complaints are, in their details, historically specific, and would provide material for an interesting Foucauldian history of complaining: when, exactly, did children become so unbearable? (Certainly, no later than the 18th century, and probably earlier. ‘Il n’y a plus d’enfants!’ Molière wrote in 1673.) But Flaubert’s primary target was larger, more amorphous, nearly timeless. ‘Human stupidity,’ he wrote in 1875, ‘is a bottomless abyss, and the ocean I see from my window seems to me quite small in comparison.’ The implication is less that we have scaled historic heights of catastrophism, stupidity and complaining, than that humans have long been a catastrophic, stupid bunch of complainers.
Roudinesco, however, attributes our stupidity, like our unhappiness, to political causes – specifically, to fascism. She is a strong advocate of ‘politicisation’, which appears to mean the redescription of everything one doesn’t like in terms of the Third Reich. Thus cognitive science, which uses ‘biological, neuronal or cerebral reasons to “explain” the supposedly innate differences between the sexes and the races’, turns out to be a mere step away from eugenics, which is synonymous with . . . Nazism!
One can excuse Althusser for writing an unbalanced book, because he was deeply unbalanced when he wrote it. But Roudinesco, who refuses to treat people like objects or books as symptoms, is obliged to read his memoir as a heroic assertion of human autonomy. Althusser, she explains, was answering the imperative to transform the strangulation of Hélène ‘into a work’: ‘otherwise it would be endlessly reproduced, recounted, disseminated, falsified, interpreted, by countless witnesses or non-witnesses’ who would audaciously speak in place of the true ‘author of the crime’.
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Nonetheless, having posited the murder of Hélène as a ‘work’, Roudinesco sets about reconciling it with the rest of Althusser’s output: viz, books of Marxist philosophy. [...] On this premise, Roudinesco sets out to rationalise Althusser’s spousal misdeeds by subjugating them to the ‘Louis Althusser’ which holds together a group of politico-philosophical texts. For example, she suggests that womanising – particularly, a long-term affair with a sexy Italian translator – was the method by which Althusser ‘learned to detach himself from the Stalinist tradition of Communism, and thus to read the works of Marx another way.’
[...]
I was no more persuaded by Roudinesco’s claim that the Althussers’ marriage ‘was made of the same turmoil, the same putting to death, the same repulsion, the same exaltation and the same fusion that united [Althusser] at the same time with the Communist Party, the asylum and psychoanalytic discourse’; or by Derrida’s characterisation of Althusser as the prisoner of ‘crimes perpetrated in the name of Communism’: ‘the killing of conceptuality, the murder of a woman of the Resistance, a militant of the Communist idea’. To a hygienised American reader, there is something grotesque in this description of a domestic crime as an expression of disillusionment with the Communist Party – or an abstraction on the level of ‘the killing of conceptuality’.
Foucault in his middle period affirms the omnipresence of power, but he conceptualises power as non-intentional, constituting subjects rather than expressing subjectivity, crystallising around unanticipated consequences.This is a plausible summation of Foucault's thinking. Unfortunately, his texts and thinking--while often intellectually stimulating (I made use of some of his ideas in my book)--are often so vague as to allow many other kinds of interpretations, as Lawrence Stone pointed out long ago. And one of these interpretations has been a tendency toward a one-sided and at least quasi-conspiratorial view of things like medicine and science.